Mitchell Osborne's blog

Final Portfolio

Posted April 30th, 2008 by Mitchell Osborne

Portfolio

I had thought of myself as being at least somewhat computer literate before enrolling in this course. I was familiar with bits HTML and I knew how to use a few internet related/image-manipulative programs. However, I have never been as adept with such a broad spectrum of applications as I am now. From Gimp and Audacity to a deeper understanding of HTML - I've certainly gained a significant amount from this class in that respect. As far as my projects go, I feel as though you cannot understand the amount of effort that went into them simply by watching/observing them. I've submitted one or two revisions of each project. However, most of my revisions were done mid-construction. That's just the way that I find to work best for me. I assemble something, look at it, decide that it could be better, destroy it, and then start something completely different. With each of my collages, I changed the target character/song at least three times, and with each of those characters, I had one or two attempts at creating a suitable collage. Since these were not my desired product and certainly not my finished product, I refrained from posting them. It would be difficult to express the correlation and actively monitor the growth between a collage done about Sugar (The main villain from No Country for Old Men) and a "revision" done about John Preston (The one that I actually have posted). For me, the greatest part of this class was not learning about computers or creating projects that chronicle my growth as a thinker, but listening to the discussions of the class about different readings that we did outside of class. It's always thought it interesting to listen to other people express their opinions/perspectives about certain topics. It generates the "cultural sponge" feeling. I've been in English classes before, but they were all in High School, and populated entirely by essentially the same kid, thinking the same way, expressing the same opinions, and getting upset over the same concepts. With only myself and maybe one or two others to deviate from the norm, class discussions became inane and almost inconsequential. I knew that no matter what was said - no matter what opinions that were submitted - no matter how insightful an aspect of human existence/observation was expressed as long as it was contrary to their plastic set of doctrines for critical thinking, it was refuted. In this class, however, I really enjoyed the experience of having such a varying array of perspectives and personalities. Every thought that was verbalized was well thought out, valid, and unique to the person that said it. It was rare to find two people that agreed entirely upon any given topic, yet those two people respected each other's opinion. THAT was the aspect of this class that was like a breath of fresh air on a stagnant hospital operating table. But the directive of this portfolio is not to juxtapose my previous, insufferable schooling experiences with the inexpressibly enjoyable ones I had in this class; its to showcase the work that I've done in this class and my evolution as a creative thinker. Hajimeyou (Let's begin).

PLAYLIST

Original: http://www.teachmix.com/itsfiction/?q=node/38
Revised: http://www.teachmix.com/itsfiction/?q=node/281

This was an assignment that I really enjoyed. It afforded me the opportunity to dissect a character in a way that I never had before. It provided me with a reason to think, "Okay. At this part, what is he feeling? What is he thinking? Now, what song expresses those feelings and thoughts exactly?" It tried to make this playlist as all-encompassing as possible, without it being too long and drawn out. In the first playlist, I chronicled Eric's journey through immortality. Placing his emotions into an almost tangible form, and applying music to them. In the second playlist (my "revised playlist") I didn't want to change much. I left the songs in the same order, and didn't replace any of them. I only changed the text, really. Allowing for a greater explanation of the connection between the song and the scene.

COLLAGES

John Preston
Character Collage: http://www.teachmix.com/itsfiction/?q=node/230
Revised Character Collage: http://www.teachmix.com/itsfiction/?q=node/249

Frozen Rose
Poem Collage: http://www.teachmix.com/itsfiction/?q=node/246
Revised Poem Collage: http://www.teachmix.com/itsfiction/?q=node/283

This assignment was a lot of fun for me. I like to be artistic sometimes, and these collages really let me vent some of that "artistic tension." The freedom with which we could go about completing this endeavor was also quite exhilarating. With the first collage, I chose John Preston, a character from the movie Equilibrium. That collage was geared more towards my anti-government/politics side as well as my love for action movies side. The final version shows John's transition from a cold-blooded killer, to an emissary of freedom. The second collage, whose topic was a modern Japanese love song, was more of a product of my passionate/emotional side. I filtered through my plethora of music stores for hours and hours attempting to find the perfect song about which to do this project amidst the myriad of potentials. While searching my memory for a good song, I remembered Frozen Rose. Thus, I had a song for the project. This was my favorite of the collages. It's not too loud, it's not gaudy or busy. It has a single theme along a single vertical line. Another thing I like about it is its complexity buried beneath its simplicity. It looks pretty at first, and then you apply the song lyrics. At which point, it becomes something more. You become aware of each individual element, and understand its face value. You look at it a bit longer, and gradually understand why the individual parts were chosen and what they all represent. Longer still, you look, and understand the interaction between each of the parts and the meaning that those have. You pass through all of these stages in either an instant, or a few moments. And, once you do, the chemistry of the picture becomes obvious.

VIDEO PROJECT

Original: http://www.teachmix.com/itsfiction/?q=node/195
Revised: http://www.teachmix.com/itsfiction/?q=node/195

Both of my video projects are posted under the same blog entry. The first is my original and the second is my revision. For some reason, however. Neither of these videos want to play the last 30 seconds of the song. I changed some of the elements in the second video, and added text towards the end. But, when I post it online, it cuts the end of the video off. Some of the pieces that are omitted are a Japanese man being executed by a firing squad, starving people in Nazi concentration camps, a Kamikaze pilot crashing into the deck of a ship, and horribly wounded and burned Vietnamese civilians running away from a napalm strike. No matter how many times I remake my video, however... it just won't show the last few seconds. I spent a significant amount of time on this project, and found it to be quite enjoyable and enlightening. Scouring the internet for video after video. Rejecting some videos, and accepting others (only to later reject them as well). I wanted to piece together something that would be truly insightful. War is always an interesting topic. No matter how you look at it. If you view it as something that brings nations together to work towards a common goal, or if you view it as the pinnacle of debauchery and evil, it's always something that evokes emotion. Whether you're adamant about facilitating War's inevitable demise, or if you're an advocate of the inevitability of war and its necessity in the process of bringing about piece in our realm. If you look at what I am literally, I'm a walking contradiction. I'm anti-government, anti-politics, I think that we shouldn't have any involvement in the middle east and that war is one of the worst things that can befall a nation. However, I'm in the ROTC and am well on my way to becoming a soldier, and I intend to remain such for a good 10 years. If you look at me objectively, however, I seem a little less contradictory. I don't believe that peace can be obtained with words alone. Action is required. So, when I fight, I fight for peace. I tried to show this in the video project. I tried to show the horrors of war, and how terrible it can be. But, at the same time, I tried to express its necessity. Not everyone wants peace. Not everyone wants to live in harmony with those around them. So, it's our job not as Americans, but as citizens of the world to fix it. It's falls upon some of us to give up our innocence so that we can stop others from harming the people that still want to retain their innocence.

FINAL PODCAST

http://www.teachmix.com/itsfiction/?q=node/206#comments

The group work here was really inspiring. I think that this class should have had more group related assignments. Collaboration of this sort is something that always helps to motivate me to do an exceptional job on the assignment. The girls that I worked with were all insightful and open minded. They knew what they wanted to say, and articulated this in a very passionate and well-thought-out manner. In our podcast, we each picked a story that we wanted to talk about for a few minutes. This is one of the things that I wish we could have done differently. It gave our podcast a scripted feel, something that I had wanted to avoid. I'm not trying to insinuate that I knew from the beginning that this is not something that should have been done. I genuinely believed that our selected course of presentation would generate a sense of spontaneity and fluidity. I'm simply reflecting upon that moment from the present. In hindsight, we should have spoken more about each other's works; each speaker flippantly deciding when would be the best time to interject a thought or opinion on someone else's story. I think this was the plan in the beginning. That we were going to overlap speakings and talk not exclusively about our own works. However, since we didn't know exactly what the other people were going to say, the first story was over before anyone had made the initiative to add a thought. This, I believe, put us in a rut. When the next three stories fell into place, it seemed as though the thought "Well, nothing else has been said so far, so I don't see a reason in starting" dominated our minds. Our podcast was a good one, indeed. I just believe that it could have been better, if we had done a bit more planning. We focused heavily upon tying our stories together, and making sure that the transition from one to another was seamless, and that the motif of "Change" remained... unchanged. The ideas and thoughts that were expressed by the girls and myself were all highly valid and deserving of pondering. I just think the whole thing was over before we really knew what had happened, and no one had the opportunity that they wanted to say what they had intended to say.

COMMENTS

The Crow Playlist - Revised

Posted April 30th, 2008 by Mitchell Osborne

Playlist

The construction of a playlist. This is actually something that I indulge in on a regular basis. Collecting songs, organizing them in a manner so that I can minimize redundancy, applying my current mood to the equation and thinking about what I want to get out of listening to the music, and then burning it all to a CD to listen to in my Jeep as I drive to... wherever I’m going. However, this time it was a little different. I wasn’t collecting music for myself, but for a different persona. And, in this scenario, I was actually vexed by the omission of constraints. Making a playlist is easy, making it for a target person is slightly more challenging, but making it for any personality I can imagine is something completely different. With so many different possibilities and outcomes, I found it almost impossible to come to a conclusion one way or the other.

I considered a seemingly endless number of candidates for this position: Leonidas, Boba Fett, Batman, and The Incredible Crash Dummies to name a few. The Crow, however, showed the most potential to be musically illustrated. Of course, describing a character to someone in this fashion would be completely pointless unless that someone was already familiar with the character. So, for those that haven’t seen the movie or read the comic, The Crow is essentially Batman on heroine. A man (Eric) in love is beaten, stabbed, shot, and thrown from the window of a seven story building onto a car as his lover is raped and murdered. A year later, the Eric’s soul is deemed deserving of revenge and is brought back to its body. Eric rises from the grave exactly as he was a year ago. Exactly as he was, save the inability to be injured or die he’s received upon returning.

Song 1: Eric Dies.

Stabbing Westward - Goodbye

There’s not much to say here. Eric died. It was simple and sad. So, I chose a song that was just that. Simple and sad. The beginning of this song instantly instills a sense of loss or regret. Lonely, singular strings being plucked without the accompaniment of their brothers. Every. Single. Piece. of this song is empty inside. Upon truly listening, it's impossible to feel anything but a gap in the pit of the soul. Which is what Eric, if he could feel at this point, felt.

Song 2: The Crow Awakens

Song Attached.
Dog Fashion Disco - Mature Audiences Only

This decision was a bit more difficult due to the swarm of emotions surrounding Eric at this point. Confusion, pain, anger, distress. I chose the song because it’s primarily instrumental. Having a song with an emphasis on lyrics couldn’t adequately describe Eric. He’s not feeling words, he’s feeling the pain of being reborn from the earth and trying to understand why he’s been given a second chance.

Song 3: The Crow Angers

Slipknot - Pulse of the Maggots

After being resurrected, Eric stumbles back to his old apartment. He finds the home that once held his heart in shambles. He fully understands what is happening, and accepts is gratefully. I chose this song primarily for the lyrics. This song displays the same anger and intent harbored by Eric as he “takes up his sword” and prepares to fight. "What have you got to lose, what have you got to lose - Except your soul?" Nothing quite puts Eric's motives into light in the same manner that that does. He has absolutely nothing to lose, except his soul - and, in most cases, he can't even lose that.

Song 4: The Crow Immortal.

Adema - Immortal

Eric finds one of his girlfriend’s murderers in an alleyway, and, to test his ability, leaps from the roof of a neighboring building. Upon striking the ground unharmed, he chuckles louder and louder still; knowing that nothing anyone can do will stop him. This song is exactly what Eric is -- Immortal. This song also fits the mood of that scene. Eric has finally found someone upon whom he can exact his revenge. The song is angry, tauntingly angry. Listening to the song, I envision the singer smarmily undulating as the lyrics pour out of a smirking mouth. At this point in the story, Eric couldn't possibly be happier, he smiles as he approaches his prey, and even laughs and taunts the man as he begins to fight. As he stabs a knife into every one of his major organs in alphabetical order, he utters a phrase from Shakespeare "Victims... Aren't we all?"

Song 5: The Crow Longing.

VNV Nation - End of Days

Although Eric has become an unstoppable instrument of vengeance, everything he does is in his girlfriend’s name. He wishes nothing more than to be with her once again. “End of Days” is a depressing song expressing a sense of longing for that which once was, but simultaneously instills a bit of hope that, although there will never be a return, there may be something else that is attainable.

Song 6: The Crow Hunts.

Panzer AG - Pure Tension

Eric methodically tracks down the murderers one by one. With every death, the survivors feel an increasingly severe sense of vulnerability. This song illustrates Eric's cold, calculating conviction with its mechanical repetition of industrial sounds. The violin playing over the noises demonstrates the passion embedded withing the conviction.

Song 7: The Crow Falls.

Filter - Hey man, nice shot.

I really couldn't resist the irony here. Eric's Crow that has been following him throughout the movie is shot and wounded. The Crow was also the source of Eric's immortality. With the crow wounded, Eric is susceptible to all forms of attack, and can be killed. The title of the song is a tribute to Eric's enemy for discovering the Crow's purpose, as well as his ability to shoot the tricky little devil. The attitude and lyrics of the song still belong to Eric. Even though he has become mortal once again, he still maintains his original intent and continues to fight his murderers. The aggressive, high intensity nature of the song ties to Eric's indomitable will to survive... at least until his mission's completion.

Song 8: The Crow Fades.

Stereomud - Perfect Self

This final song perfectly describes Eric's emotion and situation at the end of his story. His mission complete, he must return to the afterlife, leaving the friends he made both the first and second times he was alive. The song itself is doleful and melodic. The lyrics are even more applicable to his situation. Because, as soon as he dies again, he can be with his beloved again; he can be perfect -- in death.

settle down you all
can't you hear the footsteps
down the hall?
you're waiting for the scream
of your conscience call
and everyone starts dying

what the fuck is wrong
i said that I would always
find my way back home
now everyone I love
has been left alone
and everyone starts dying

it's you and I
begging for life
it's you and I

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

help comes when I don't even want it
do you really believe that I need it?
seems like in death
i'm alive

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

are we closer now?

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain
seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

seems like in death
i'm alive
help comes when I don't even want it
seems like in death
do you really believe?

Video Project

Posted April 16th, 2008 by Mitchell Osborne

We were asked to decide upon any aspect of literature and then create a video to represent it. It took me a long while to compile what I have. It's actually quite embarrassing, but YouTube.com proved to be the most reliable source for the footage that I needed. I wanted to focus not on a particular work or a single aspect of literature, but instead on the inspiration behind it all -- and I could think of no greater inspiration than War. Love would have been an equally deserving facilitator of the creative process about which I could have done this presentation. However, it's much more difficult to capture Love on film than it is War, and if I had used videos of that variety I'm quite certain that particular questions would arise So, instead of journeying down the path of producing pornography, I chose to be egregiously graphic with my creation -- an equally controversial trait. And so as not to equivocate, this video is - IS - graphic. This is just a warning in the event that someone has an aversion to graphic Wartime images.

My project doesn't contain an internal comparison of the videos to any particular works. So, when viewing keep in mind some of the works that I had in mind when creating it: Night by Elie Wiesel, "The Death of the Ball Turret Gunner" by Randal Jarrell, The things they carried by Tim O'Brien, and The Cockpit by Reiji Matsumoto.

"The Death of the Ball Turret Gunner"
By Randal Jarrell

From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from the dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.

The videos in my presentation show what it was that influenced each of these works, and all authors that have written about war.

Playlist -- The Crow

Posted January 28th, 2008 by Mitchell Osborne

Song 1: Eric Dies.

Stabbing Westward - Goodbye

There’s not much to say here. Eric died. It was simple and sad. So, I chose a song that was just that. Simple and sad.

Song 2: The Crow Awakens

Song Attached.
Dog Fashion Disco - Mature Audiences Only

Song 3: The Crow Angers

Slipknot - Pulse of the Maggots

Song 4: The Crow Immortal.

Adema - Immortal

Song 5: The Crow Longing.

VNV Nation - End of Days

Song 6: The Crow Hunts.

Panzer AG - Pure Tension

Song 7: The Crow Falls.

Filter - Hey man, nice shot.

Song 8: The Crow Fades.

Stereomud - Perfect Self

settle down you all
can't you hear the footsteps
down the hall?
you're waiting for the scream
of your conscience call
and everyone starts dying

what the fuck is wrong
i said that I would always
find my way back home
now everyone I love
has been left alone
and everyone starts dying

it's you and I
begging for life
it's you and I

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

help comes when I don't even want it
do you really believe that I need it?
seems like in death
i'm alive

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

are we closer now?

seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain
seems like in death
we all become our perfect self
last chance to pray
and rid our self of the pain

seems like in death
i'm alive
help comes when I don't even want it
seems like in death
do you really believe?

Introduction to Fiction

Mitchell Osborne's blog

Final Portfolio

The Crow Playlist - Revised

Video Project

Playlist -- The Crow

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